Ketzerisches Venedig

Ketzerisches Venedig. Zwischen Reformation und Inquisition. München, 2018, Claudius V.

Venedig war die größte Stadt über die Alpen, wo man über die neuen Ideen von Luther diskutieren konnte. Die Regierung war zwar katholisch aber in der reichen Hauptstadt war eine gewisse Toleranz üblich

Die Venezianer waren eine gebildete Gesellschaft, die Interesse hatte, für alles was Neues war. In Venedig wohnten Orthodoxen, Armenier, Juden und manche Moslimen: Menschen aus verschiedener Herkunft, Sprache, mit anderen Gewohnheiten, anderen Esskulturen. Handelsbeziehungen und Nachbarschaft brachten die viele Gemeinschaften nah.

Die Präsenz einer zahlreichen deutschsprachigen Gemeinschaft, die Druckindustrie, die Stärke der neuen Doktrin und einer gewissen Freiheit der Diskussionen zogen viele Denker in die Stadt. Manche nannte sie “das neue Genf”. Mitte des 16. Jahrhunderts wurde die Regierung das Inquisitionsgericht wieder im Gang stellen und solchen freien Debatten ein Ende setzen.

Dieses Führer stellt jene Orte vor, wo Künstler, Handwerkern, Patrizier, Intellektuellen oder das einfache Volk heftig die neue lutherische Botschaft diskutierten. Es erinnert an die ersten mutigen Schritte zur Freiheit des Denkens.

Text: Cristina Gregorin; Fotos: Norbert Heyl

Claudius Verlag, 2018

Aus dem Venedigplan von Jacopo de’ Barbari. Außerordentliche detailtreue Wiedergabe von Venedig im Jahr 1500
Die Arkaden in Rialto, wo vor allem Goldschmiede und Juweliere über Luthers Doktrin diskutierten

The Treasures of the Doge – A new Itinerary in the Doge’s Palace


If someone was thinking that the Doge’s Palace of Venice with its lavishing gilt ceilings, its great masterpieces by Veronese and Tiepolo and hundreds of years of history visible on its many paintings was not attractive enough, now there is a new reason to visit it.

Doge's Palace

Giant’s Staircase

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An architectural Walk: the Giudecca Island in Venice

Cino Zucchi

Cino Zucchi

People often think that Venice is a city where history has stopped with the fall of the Republic; a city that has not been touched by modernity .

On the contrary throughout the 19th and 20th century there have been intensive discussions on new urban plans that would help to develop the economy; thousands of buildings were pulled down and reconstructed in new forms.

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Venice is not a postcard. Its long history is worth to be discovered.

SONY DSC You are visiting the most famous cities in Italy: Rome, Florence, Venice. You don’t want to waste time to see another Madonna, another Crucifixion or another gilded table. All what you have always known about Italy is that there is good food, a trendy life-style and old traditions and this is what is worth to see. Right?
Yes and no.

Sure we have good food, fashion, design, cafès and lots of interesting traditions but we are all well aware that what we have in the present developed from the past. When Italians go and visit other Italian cities they are very curious about the history and the art of the place, and they do go in museums in order to know more about it.

, Gallerie dell'Accademia, Venezia
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Movies in Venice

Summertime55There are movies that made out of Venice a real icon.

How to forget Catherine Hepburn and Rossano Brazzi in Summertime? 1955

Find here some of the most famous scenes.

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Venice glamorous Glass Beads


Made by blown glass or through lamp-work, of different shapes and colors, enriched by microscopic glass threads, the Venetian glass beads are still today a must-have for every woman living in the city.

In Venice there are still some glass beads shops, different for style and design, where you can find unique pieces.
In the district of Santa Croce, a small shop reveals an incredible variety of beads. The owner of this little and hidden shrine, Cristina Bedin, is a passionate jewel designer who travels throughout Europe, the Mediterranean world and also to the States, to search ancient or vintage beads.
She designs and makes personally the necklaces that you can see in her shop, but she can make up one for you with the beads that you can choose yourself from her amazing collection.

Cristina is also a fabulous narrator and while you are there you can listen to the many stories she knows about this beloved jewel, as for example that in the 17th and 18th century they were used as currency in Africa and in America to trade with the Natives.

The creativity of Cristina Bedin is constantly inspired by the long tradition, the today fashion and by that sense for glamour that has always  accompanied Venetian women throughout the long history of the city.

If in Venice, don’t miss her!

L’Opera al Bianco – Santa Croce 1239/a – Venice

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