Venice glamorous Glass Beads

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Made by blown glass or through lamp-work, of different shapes and colors, enriched by microscopic glass threads, the Venetian glass beads are still today a must-have for every woman living in the city.

In Venice there are still some glass beads shops, different for style and design, where you can find unique pieces.
In the district of Santa Croce, a small shop reveals an incredible variety of beads. The owner of this little and hidden shrine, Cristina Bedin, is a passionate jewel designer who travels throughout Europe, the Mediterranean world and also to the States, to search ancient or vintage beads.
She designs and makes personally the necklaces that you can see in her shop, but she can make up one for you with the beads that you can choose yourself from her amazing collection.

Cristina is also a fabulous narrator and while you are there you can listen to the many stories she knows about this beloved jewel, as for example that in the 17th and 18th century they were used as currency in Africa and in America to trade with the Natives.

The creativity of Cristina Bedin is constantly inspired by the long tradition, the today fashion and by that sense for glamour that has always  accompanied Venetian women throughout the long history of the city.

If in Venice, don’t miss her!

L’Opera al Bianco – Santa Croce 1239/a – Venice
www.operavenezia.com

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The Bridge of Sighs

Sospiri

The most photographed bridge of Venice, the most romantic, the most mysterious. 

The covered bridge that leads from the Doge’s Palace to the Prisons has, in fact, somber fame. Some people think that it was named after the laments of those who were going to be executed. It sounds like a good reason but unfortunately there are no records about it.

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Venetian Ceilings: Renaissance, Rococo and Art Nouveau

Palazzo Cavalli Franchetti

Palazzo Cavalli Franchetti

The interiors of the Venetian palaces are usually in late Rococo style, as to say of the second half of the 18th century. The wealthy families enjoyed renewing the interiors – frescoes, plaster-work, paintings – according to the latest trends. They never felt less important than their ancestors, so they didn’t hesitate to change the older ornamentation.

One of the few older exceptions is Palazzo Grimani in Santa Maria Formosa. The Patriarch Giovanni Grimani who enlarged in the 16th century this lavish palace in Renaissance style was to become such a prestigious figure in Venetian history that his descendants left some of the many rooms with the original decoration.

In the late 19th century the properties had changed completely. Palaces were sold several times and the owners – Venetians, Italians, or foreigners alike – took away whatever they could, from doors to paintings and frescoes, and they tried even to detach the plaster-work from the ceilings.

Some buildings were carefully preserved, like for example Palazzo Barbaro, some other ones were restored almost to their previous beauty when owners could afford to buy in the auctions furniture and other objects in the late 18th-century style.

Some of the palaces were refurbished in the style of the time, that today we call Art Nouveau, of which Palazzo Franchetti Cavalli is one of the best examples.

See below some ceilings of various palaces in Venice.

Deutscher Text

Die Innenräume der venezianischen Paläste sind normalerweise im späten Rokoko-Stil gehalten. Die wohlhabenden Familien erneunten die Innenräume – Fresken, Gipsarbeiten, Gemälde – nach den neuesten Trends bis zum Ende der Republik.
Eine Ausnahme ist der Palazzo Grimani in Santa Maria Formosa. Der Patriarch Giovanni Grimani, der im 16. Jahrhundert diesen verschwenderischen Palast im Renaissancestil vergrößerte, sollte zu einer so angesehenen Figur in der venezianischen Geschichte werden, dass seine Nachkommen einige der vielen Räume mit der ursprünglichen Dekoration hinterließen.
Im späten 19. Jahrhundert hatten sich die Eigenschaften komplett verändert. Paläste wurden mehrmals verkauft und die Eigentümer – Venezianer, Italiener oder Ausländer – nahmen alles weg, von Türen bis zu Gemälden und Fresken, und sie versuchten sogar, die Putzarbeiten von den Decken zu lösen.
Einige der Paläste wurden im Jugendstil renoviert, wofür der Palazzo Franchetti Cavalli eines der besten Beispiele ist.

Unten sehen Sie einige Decken verschiedener Paläste in Venedig.

Palazzo Pisani2 Palazzo Pisani4 Palazzo Pisani3 Palazzo Pisani1 Palazzo Pisani

Music Room Ospedaletto

Music Room Ospedaletto

Palazzo Grimani Palazzo Grimani Palazzo Grimani

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Manet. Return to Venice.

An extraordinary exhibition on the French painter Édouard Manet (1832-1883) will be held at the Doge’s Palace from April 24th to August 11th 2013.

The exhibition will be an occasion not only to see among the greatest masterpieces of the artist, who was a precursor of the Impressionism and one of the ‘father’ of modern painting, but also to recognize his understanding of the heritage of Italy and Venice. His Le Déjeuner sur l’herbe and Olympia are clearly variations on Titian.

Manet’s work has never been presented in such a significant manner in Italy.

If you would like to book a visit of the Manet exhibition with me, please write me at my email address: cristina@slow-venice.com

Here you can see some of the works that will be on display at the Doge’s Palace:

Édouard Manet. Olympia, 1863

Édouard Manet. Olympia, 1863

Édouard Manet, 
Déjeuner sur l'herbe, 1863-68


Édouard Manet, 
Déjeuner sur l’herbe, 1863-68

Édouard Manet. Le Grand Canal de Venise, 1874

Édouard Manet, 
Le fifre, 1866

 

 

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Wonderful Palazzo Barbaro

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The Gothic Palace on the Grand Canal was bought in the 19th century by the American Daniel Sargent Curtis, who lovingly preserved and maintained the palace as much as possible to its original form. Daniel and Ariana Curtis hosted many intellectuals and artists, among them John Singer Sargent, who was a relative of Daniel, James Abbott Whistler, Claude Monet, Henry James (who wrote part of his Aspern Papers here) and Isabella Stewart Gardner, who fell in love with Venice and when she went back to Boston, she built her “Venetian Palazzo”, an interpretation of the Renaissance palaces of Venice.

Palazzo Barbaro is a private palace, not owned by the Curtis family any longer, and it might be open in the future for public visits (fees to be inquired!). Enjoy this glimpses of its interiors to imagine the past wealth of Venetian families.

Anyway there are more Venetian Palaces that you might enjoy to see, like Ca’ Rezzonico, Ca’ Mocenigo or the Querini Stampalia. The interiors, furniture, plaster work, chandeliers, paintings, are usually in late 18th century style.

 

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The Sala dell’Albergo restored: thanks to Save Venice

Accademia Sala albergo

Save Venice, the American Committee that supports the artistic heritage of Venice by sponsoring the preservation of countless works of art, made possible this important restoration of the Sala dell’Albergo at the Accademia Galleries. The Sala dell’Albergo was originally used as a meeting room by the board of the Scuola della Carità, the charitable institution today part of the group of buildings that host the art collection.

The Accademia Galleries host the largest collection in the world of Venetian painting. You can see masterpieces by Titian, Bellini, Giorgione, Tintoretto, Carpaccio, Veronese, and many other great artists from the 14th to the 19th century.

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Restoration at Titian's Presentation

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Swimming on the Lido Beach

gondola with bath, 1865

 

 

Gondola with a wooden ‘bath’ to take a swim away from prying eyes, 1865.Swimming Costumes, 1865Swimming costumes, 1865. They are not Venetians but beach fashion in those years was quite the same in France and Italy.

Death in Venice

A scene from “Death in Venice”, 1970, by Luchino Visconti. Based on the novel of the German writer Thomas Mann, 1912. Wonderful reconstruction of the Belle Epoque spirit on the Lido beach of Venice.

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The history of Perfume: a new exhibition in Ca’ Mocenigo

Green Living Room

Red Living Room

Red Living Room

The Museum of Ca’ Mocenigo, a 17th century palace in San Stae, housing furniture, paintings, plaster works, chandeliers, mirrors and costumes of the 18th century will be closed until May for a general restyling. From June 1st the museum will host a new section dedicated to the history of perfumes.
Cosmetic has an ancient tradition in Venice. Through the spice and silk routes the Venetian merchants imported raw materials such as Ceylon cinnamon or civet, lemon balm and rosa mosqueta, which were then transformed in ointment, cosmetic creams and powders.

Find a good article about the new perfume exhibition here.

 

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